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Dance Star Matthew Ball on Demanding Roles and Online Scrutiny: 'I'm Not Protective About My Body'

Within the hushed atmosphere of a hotel bar near London's Royal Ballet, Matthew Ball orders a mint tea. His carriage is naturally straight-backed, his arms muscular beneath a simple white T-shirt. On stage, dancers can appear as powerful gods, yet often offstage they are petite. This is not true for Ball, whose tall stature is one reason for his popularity for heroic roles and partnering. Possessing fine features and intense eyes, there's a touch of Robert Pattinson about him.

A Seamless Rise to the Pinnacle

At 31, Ball is experiencing the peak of a career that has progressed smoothly. Raised in Liverpool, he faced little teasing for his childhood passion in ballet. Joining the Royal Ballet School at 11, he moved straight into the troupe and was promoted annually, reaching the highest position of lead dancer in 2018. He has loved tackling meaty dramatic roles, especially the emotional turmoil found in a famed choreographer's works.

"Your lungs are burning, your legs get heavy, but it’s really a neural fatigue."

Ball's next starring appearance is as himself, in an "Evening With" series designed to offer intimate perspectives into a performer's craft. He will guide the audience through a role, demonstrating his cognitive workflow while execution. Yet in more comedic ballets, the test is profound. "Don Quixote is one of the most demanding technically," he states.

The Mental Struggle and Post-Performance Emotions

How does he feel following a performance, when he has succeeded? "It's pretty good," he admits. "But because I'm trying to squeeze all the emotion out of it, and get lost in the character, frequently I do feel embarrassed later. After Mayerling I'm always thinking: Wow, what must people think?"

Offstage, Ball is thoughtful, mild-mannered, and quick to laugh at himself. But a dance maker once observed on a "sense of suffering in him." Is there? "I'm quite active in general, but I do have a dark side," he reveals. "I kind of enjoy negativity sometimes. I've always felt that negativity has been an catalyst for positive change."

Formative Motivations and Creative Influences

His tenacity stemmed from youthful experiences. Not doing well in contests at school made him "driven!" This became motivation to demonstrate he could succeed. Discovering the book *Mao's Last Dancer* was a "pivotal" moment. "It flipped a switch, it made me go a bit obsessive," he remembers.

An upcoming challenge is creating his own choreography. For Ball, "organic movement has value." "Breaking the rules is compelling, but just acting that they’re not a reality any more – I don’t know how far you can go with that." He aims his work to be filled with meaning, drawing ideas from books, music, and art.

Close-Up Dance and Personal Dynamic

He also favors staging dance in smaller spaces. "It was just really exciting," he says of a previous show. "You’re so close to the viewers. I felt as if they were realizing: 'That’s a person, and they’re perspiring.'"

Ball has created duets with his girlfriend, fellow lead dancer Mayara Magri. The level of trust between them is clear. "We tried it out on the beach first," he says of a audacious lift. "It was like Dirty Dancing." The couple are not typically matched on stage at their home company, which is perhaps beneficial. "We’re both quite strong-willed people, so it’s not always smooth sailing," he admits. "But I feel like we’re each other’s favorite supporter."

Regarding Instagram and Physical Perception

On social media, fans can see videos from his dance films and images that showcase a sculpted physique. Does he mind that the engagement can be a bit focused on appearance? Not particularly. "The body is just what we work with, so I don’t feel very precious about it," he states. He compares it to viewing Michelangelo’s David—an object that can be seen on multiple levels.

Ball describes his early self as "desperate for success." Did it met his expectations? "I am conscious of how life is a different reality to the dreams you had as a child," he reflects. He probably has another decade of performing ahead. "I guess in the future, I want to be a bit more kind with myself."

About the author

Justin White

Lena Visser is a seasoned writer with a passion for exploring the intersection of technology and everyday life, bringing fresh perspectives to a global audience.

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